\u0026 nbsp; \u0026 nbsp; 123] Title I -Modernization Act of Music Works, create a package permit for interactive streaming media services, and establish a mechanical license collective (MLC) and the number of the number of the licensee (DLC), making it easier for services and creators Essence [ 123] \u0026 nbsp; What is the number of the number of the licensee? \u0026 nbsp; \u0026 nbsp; \u0026 nbsp; \u0026 nbsp; \u0026 nbsp; The existing notice of making and distributing non -drama music works (NOI) records in the form of competence to the Copyright Administration The system will continue to be applicable to non -digital uses (such as CD, ethylene plastic). However, the Copyright Administration will no longer accept NOI to obtain forced might.Digital recording products of the work, such as the form of permanent download, limited download or interactive stream. Instead, after the registration period will release relevant regulations and specify the transition period of the management of a key entity, the new license will be fully available (covering all music works that can be used for mandatory licenses). By submitting a license notice to the mechanical license collective (MLC), digital record delivery can be obtained based on a new package permit. During the transitional period before MLC provided a comprehensive license, as long as digital music providers comply with certain requirements, their responsibilities will be restricted, including goodwill and business efforts to identify and position their music works they use in their services Each copyright owner. For more details, please refer to the following answers to common questions during the transition. What will happen during the transition period? \u0026 nbsp; Once established, MLC will establish and manage copyright owners who can claim to have a program for ownership of music works (and share of such works) ownership. Essence Once the owner who does not match the work is determined and positioned according to the procedure set by MLC, the music work database and other records of MLC will be updated accordingly. The MLC dispute resolution committee will implement policies and proceduresResolve and solve disputes related to ownership and interests of licensed music works. The Copyright Bureau will update its website to provide more educational information about copyright claims. If I have registered the copyright for my work, do I still need to do? Yes, even if you have already registered for copyright, you still need to register in MLC (once it starts and runs) A certain version of tax. Yes. Music works can obtain certain statutory taxes paid through MLC in the Copyright Administration. However, to obtain some non -digital uses (such as CD and vinyl records), your music works must be in the records of the Copyright Administration, which can be completed by registration. It does provide some additional protection for copyright registration works, such as the ability to investigate statutory damage compensation and lawyer fees in infringement lawsuits. If digital music providers comply with certain requirements, including goodwill attempts to identify and position copyright owners, the past liability for infringement is limited to only limited to Shopping tax. The US Copyright Administration does not provide legal guidance to specific infringement cases. How does MMA affect the ground broadcasting station? \u0026 nbsp; \u0026 nbsp; Article 114 (i) prohibit the PRO rate court from perceive the schedule for the public performance of the music works as recording The license fee paid by the digital performance has been partially abolished. This abolition is not suitable for radio radio companies. In addition, the legislation changed the way that the judges of the southern New York District were assigned to ASCAP and BMI agreed to the laws in the law of the court procedure, and all new rate disputes were allocated by turning in turns, rather than all controversy shall be processed by the federal court. The same judge. Federal remedial measures that are not authorized to use recording before 1972 should be valid within 95 years after the first publication of the recording, but there is certain certain certainly The extra period. According to the first time the recording was published, these periods provided different additional protection for the recording before 1972: For the first time of recording released before 1923 The extra time ended on December 31, 2021. For 19The first record of the first time from 47 to 1956, the extra time period was 15 years after the 95 -year period. For all the remaining recording fixed before February 15, 1972, the additional transition period should end on February 15, 2067. No. No obligation to register. However, in order to obtain legal damage compensation and/or lawyer fees, the new 1401 (e) (5) usually requires the right holder to submit to the Copyright Administration to list the timetable of its recording before 1972 (a recently formulated item formulation (recently formulated. The rules are the requirements of the office). This requirement replaces the formal registration requirements that are usually applicable to claims involving legal damage compensation. The right holders who submitted these timetables must include the name of the right holder, the name of the recording, the special invitation artist, and the international standard recording code (\u0026 ldquo; isrc \u0026 rdquo;) (if it is known and feasible). The rule also stipulates how individuals request to notify the right owner in a timely manner when to submit such timetables to the office. \u0026 nbsp; \u0026 nbsp; \u0026 nbsp; \u0026 nbsp; The Copyright Administration will immediately prepare indexes for recording timetable before 1972 after receiving the correct timetable and prescribed costs. Title III music producer distribution method (the payment mechanism of producer, mixed and engineer) [123 ] \u0026 nbsp;